Frequency in Music: Hz, A440 & Concert Pitch

A plain-language guide to what "Hz" means, and why A is usually 440.

Short answer: frequency is how many times a sound wave repeats each second, measured in hertz (Hz), where one hertz is one cycle per second. The faster the vibration, the higher the pitch we hear. The musical note A above middle C (A4) is defined as 440 Hz, the international reference that lets instruments everywhere agree on where "in tune" sits.

A4

exactly in tune (0 cents)

The nearest equal-tempered note (A4 = 440 Hz) and how many cents your frequency sits above or below it.

What frequency actually is

Sound travels as a pressure wave that pushes and pulls the air. Frequency counts how many complete push-pull cycles happen in one second, and the unit for cycles per second is the hertz, named after the physicist Heinrich Hertz. A tone at 220 Hz completes 220 cycles every second; a tone at 880 Hz completes 880. Two numbers describe the same wave from different angles: frequency, the cycles per second, and its period, the time for a single cycle, which is simply one divided by the frequency. A 100 Hz tone therefore has a period of one hundredth of a second. Frequency is an objective, physical quantity you can measure with an instrument, whereas the pitch we perceive is the brain's read-out of that frequency.

From frequency to the notes we name

Musical notes are simply agreed-upon frequencies, and the pattern that connects them is doubling. Every time you double a frequency you rise one octave, landing on a note that shares its name. Starting from concert A at 440 Hz, the A an octave below is 220 Hz and the A an octave above is 880 Hz. The same doubling explains why the audible span from 20 Hz to 20,000 Hz covers only about ten octaves, even though it stretches across a thousandfold change in raw hertz. Because pitch follows ratios, equal musical steps look like multiplication on the frequency scale rather than addition, which is exactly why a fixed reference point is so useful.

Sound or noteTypical frequency
Lowest note on a piano (A0)about 27.5 Hz
Male speaking voice (fundamental)about 85 to 180 Hz
Female speaking voice (fundamental)about 165 to 255 Hz
Middle C (C4)about 261.6 Hz
Concert A (A4)440 Hz
Soprano high C (C6)about 1,046 Hz
Highest note on a piano (C8)about 4,186 Hz
Cymbal shimmer and "air"up to about 16,000 Hz

Why A4 is 440 Hz

The note A4 sits near the middle of the treble range, and by convention it anchors the whole tuning system. Fixing it at 440 Hz is an international agreement rather than a fact of nature. The value was endorsed at a London conference in 1939, carried into an ISO recommendation in 1955, and codified as the standard ISO 16 in 1975. That standard even specifies a tolerance of about half a hertz, so tuners across the world share a precise target. Before this agreement, pitch standards drifted widely between cities and eras, and older instruments were often tuned noticeably lower or higher than a modern ear expects.

Concert pitch, and the "440" that isn't always 440

"Concert pitch" is the reference an ensemble tunes to before it plays. Although 440 Hz is the global benchmark, real orchestras vary. Many continental European ensembles tune their A4 a little higher, commonly in the 440 to 444 Hz band, which lends a brighter, more brilliant character. Because every note is defined relative to A, nudging the reference up or down shifts the entire scale with it, without changing the musical relationships between the notes. A whole orchestra can play in perfect internal tune at 443 Hz and still sound slightly bright next to a recording made at 440.

The 432 Hz question, kept neutral

You may see A4 = 432 Hz presented as an alternative tuning. It is exactly that: a different choice of reference that lowers the whole scale slightly compared with 440. Some musicians prefer it for tradition or taste. It is a preference, not a measurable property of the sound itself, and no special claim needs to be attached to it. The 440 and 432 references are simply two points among several used across history and genres, and the ear adapts to whichever one an ensemble settles on.

Hear the difference for yourself

Numbers on a page are one thing; training your ear is another. In Hearfork, you hear a reference tone and a comparison, then decide which is higher. It is a direct, hands-on way to feel how a small change in frequency maps onto a change in pitch you can actually detect.

Play Hearfork →

Frequently asked questions

What does frequency in hertz mean?

Frequency is the number of times a sound wave repeats each second, and one hertz is one cycle per second. A 440 Hz tone completes 440 full pressure cycles every second. Higher frequency is heard as higher pitch.

Why is A tuned to 440 Hz?

A4 = 440 Hz is an international agreement, not a law of physics. It was endorsed at a London conference in 1939 and later standardized as ISO 16, so that instruments made and played in different places can share one reference pitch.

Is 432 Hz better than 440 Hz?

432 Hz is simply an alternative reference pitch. Tuning A4 to 432 Hz instead of 440 shifts the whole scale slightly lower. It is a matter of preference and tradition, not a measurable quality of sound.

Does every orchestra use 440 Hz?

No. 440 Hz is the international reference, but many European orchestras tune slightly higher, commonly around 442 to 444 Hz, which can give a brighter overall sound.

What is the frequency of middle C?

Middle C (C4) is about 261.6 Hz when the orchestra is tuned to A4 = 440 Hz. Because notes are defined relative to A, that figure shifts slightly if the ensemble tunes to a different reference.

Related reading

Sources: Brian C. J. Moore, An Introduction to the Psychology of Hearing (Brill); Wikipedia, A440 (pitch standard) and Concert pitch; International Organization for Standardization, ISO 16:1975, Acoustics – Standard tuning frequency.

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Updated · By Lajos Toldi — educator and researcher in adaptive intelligent tutoring systems at AI24EduLabs (part of AI24Labs). Scientific claims are checked against authoritative sources; see our editorial policy.